Great writing advise and insights here from novelist, screenwriter, and game designer, Chuck Wendig:
I’m a panster at heart, plotter by necessity — and I always advocate learning how to plot and plan because inevitably someone on the business side of things is going to poke you with a pointy stick and say, “I want this.” Thus you will demonstrate your talent. Even so, in choosing to plot on your own, you aren’t limited to a single path. And so it is that we take a look at the myriad plotting techniques (“plotniques?”) you might use as Storyteller Extraordinaire to get the motherfucking job done. Let us begin.
THE BASIC VANILLA TRIED-AND-TRUE OUTLINE
The basic and essential outline. Numbers, Roman numerals, letters. Items in order. Separated out by section if need be (say, Act I, Act II, Act III). Easy-peazy Lyme-diseasey.
THE REVERSE OUTLINE
Start at the end, instead. Write it down. “Sir Pimdrip Chicory of Bath slays the dragon-badger, but not before the dragon-badger bites the head off Chicory’s one true love, Lady Miss Wermathette Kildare of the Manchester Kildares.” Rewind the clock. Reverse the gears. Find out how you build to that. Find the rest of this piece at Wendig’s blog terribleminds.
“Sentences have been around since the dawn of paragraphs, and indeed since before that, for sentences are essentially the building blobs of a paragraph. Right here, if you’re looking closely enough, you may notice that what you are now reading in fact is a sentence. But also—some will have noticed even more well—what you are reading is a paragraph. And I could go further than that, even, to declare that you are also reading words, letters, and indeed this entire page. Nobody thought you could do it, but here we are now and aren’t you having a good time?’
Read the full article at The New Yorker.
Follow James Thomas aka @AstonishingSod on Twitter.
“Writing is hard for every last one of us—straight white men included. Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig. You need to do the same. … So write… Not like a girl. Not like a boy. Write like a motherfucker.”
Writing advice from Cheryl Strayed, author of the best-selling memoir Wild.
Quote Posted on Updated on
“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”
― Aleksandr Solzhenitsyn, The Gulag Archipelago: 1918-1956